Lucy Pressland

I am a 2nd year student at Heriot Watts, Scottish Borders campus studying Textiles. My specialism is print (screen and digital) but I also take interest in fashion, photography and illustration. This blog shows my current work, interests and exhibitions I have been to.

Lucy Pressland
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asylum-art:

Deconstructing Women’s Bodies Jake Stollery
Based in Melbourne, artist Jake Stollery plays to make digital creations of women’s portraits. With projections and 3D scanning, he shows the body and Human identity as a constantly moving digital landscape. His series “Composite”, “Strong I Am / Nichicahtoc” and “Merge” are to discover.
asylum-art:

Deconstructing Women’s Bodies Jake Stollery
Based in Melbourne, artist Jake Stollery plays to make digital creations of women’s portraits. With projections and 3D scanning, he shows the body and Human identity as a constantly moving digital landscape. His series “Composite”, “Strong I Am / Nichicahtoc” and “Merge” are to discover.
asylum-art:

Deconstructing Women’s Bodies Jake Stollery
Based in Melbourne, artist Jake Stollery plays to make digital creations of women’s portraits. With projections and 3D scanning, he shows the body and Human identity as a constantly moving digital landscape. His series “Composite”, “Strong I Am / Nichicahtoc” and “Merge” are to discover.
asylum-art:

Deconstructing Women’s Bodies Jake Stollery
Based in Melbourne, artist Jake Stollery plays to make digital creations of women’s portraits. With projections and 3D scanning, he shows the body and Human identity as a constantly moving digital landscape. His series “Composite”, “Strong I Am / Nichicahtoc” and “Merge” are to discover.
asylum-art:

Deconstructing Women’s Bodies Jake Stollery
Based in Melbourne, artist Jake Stollery plays to make digital creations of women’s portraits. With projections and 3D scanning, he shows the body and Human identity as a constantly moving digital landscape. His series “Composite”, “Strong I Am / Nichicahtoc” and “Merge” are to discover.
asylum-art:

Deconstructing Women’s Bodies Jake Stollery
Based in Melbourne, artist Jake Stollery plays to make digital creations of women’s portraits. With projections and 3D scanning, he shows the body and Human identity as a constantly moving digital landscape. His series “Composite”, “Strong I Am / Nichicahtoc” and “Merge” are to discover.
asylum-art:

Deconstructing Women’s Bodies Jake Stollery
Based in Melbourne, artist Jake Stollery plays to make digital creations of women’s portraits. With projections and 3D scanning, he shows the body and Human identity as a constantly moving digital landscape. His series “Composite”, “Strong I Am / Nichicahtoc” and “Merge” are to discover.
asylum-art:

Deconstructing Women’s Bodies Jake Stollery
Based in Melbourne, artist Jake Stollery plays to make digital creations of women’s portraits. With projections and 3D scanning, he shows the body and Human identity as a constantly moving digital landscape. His series “Composite”, “Strong I Am / Nichicahtoc” and “Merge” are to discover.
asylum-art:

Deconstructing Women’s Bodies Jake Stollery
Based in Melbourne, artist Jake Stollery plays to make digital creations of women’s portraits. With projections and 3D scanning, he shows the body and Human identity as a constantly moving digital landscape. His series “Composite”, “Strong I Am / Nichicahtoc” and “Merge” are to discover.
asylum-art:

Deconstructing Women’s Bodies Jake Stollery
Based in Melbourne, artist Jake Stollery plays to make digital creations of women’s portraits. With projections and 3D scanning, he shows the body and Human identity as a constantly moving digital landscape. His series “Composite”, “Strong I Am / Nichicahtoc” and “Merge” are to discover.
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thelovelyseas:

Orca or Killer Whale (Orcinus orca) travels down opening leads of ice, making deep dives under ice to hunt Antarctic Cod, McMurdo Sound, Antarctica by Norbert Wu  / minden pictures
thelovelyseas:

Orca or Killer Whale (Orcinus orca) travels down opening leads of ice, making deep dives under ice to hunt Antarctic Cod, McMurdo Sound, Antarctica by Norbert Wu  / minden pictures
thelovelyseas:

Orca or Killer Whale (Orcinus orca) travels down opening leads of ice, making deep dives under ice to hunt Antarctic Cod, McMurdo Sound, Antarctica by Norbert Wu  / minden pictures
thelovelyseas:

Orca or Killer Whale (Orcinus orca) travels down opening leads of ice, making deep dives under ice to hunt Antarctic Cod, McMurdo Sound, Antarctica by Norbert Wu  / minden pictures
thelovelyseas:

Orca or Killer Whale (Orcinus orca) travels down opening leads of ice, making deep dives under ice to hunt Antarctic Cod, McMurdo Sound, Antarctica by Norbert Wu  / minden pictures
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asylum-art:

Jean-Paul Cattin Designers block
artist on tumblr
An old house located in East-London. A place taken over by artists and designers. Their contemporary creations, sometimes sober and functional are melting up with the old walls of the house, where several layers of paintings betray the time passing. A spatial evading in these cracks and drips.
asylum-art:

Jean-Paul Cattin Designers block
artist on tumblr
An old house located in East-London. A place taken over by artists and designers. Their contemporary creations, sometimes sober and functional are melting up with the old walls of the house, where several layers of paintings betray the time passing. A spatial evading in these cracks and drips.
asylum-art:

Jean-Paul Cattin Designers block
artist on tumblr
An old house located in East-London. A place taken over by artists and designers. Their contemporary creations, sometimes sober and functional are melting up with the old walls of the house, where several layers of paintings betray the time passing. A spatial evading in these cracks and drips.
asylum-art:

Jean-Paul Cattin Designers block
artist on tumblr
An old house located in East-London. A place taken over by artists and designers. Their contemporary creations, sometimes sober and functional are melting up with the old walls of the house, where several layers of paintings betray the time passing. A spatial evading in these cracks and drips.
asylum-art:

Jean-Paul Cattin Designers block
artist on tumblr
An old house located in East-London. A place taken over by artists and designers. Their contemporary creations, sometimes sober and functional are melting up with the old walls of the house, where several layers of paintings betray the time passing. A spatial evading in these cracks and drips.
asylum-art:

Jean-Paul Cattin Designers block
artist on tumblr
An old house located in East-London. A place taken over by artists and designers. Their contemporary creations, sometimes sober and functional are melting up with the old walls of the house, where several layers of paintings betray the time passing. A spatial evading in these cracks and drips.
asylum-art:

Jean-Paul Cattin Designers block
artist on tumblr
An old house located in East-London. A place taken over by artists and designers. Their contemporary creations, sometimes sober and functional are melting up with the old walls of the house, where several layers of paintings betray the time passing. A spatial evading in these cracks and drips.
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asylum-art:

Marie-Josée Roy 
Mixed media on aluminum
Engraving Electric: Jérôme Prieur Artist
asylum-art:

Marie-Josée Roy 
Mixed media on aluminum
Engraving Electric: Jérôme Prieur Artist
asylum-art:

Marie-Josée Roy 
Mixed media on aluminum
Engraving Electric: Jérôme Prieur Artist
asylum-art:

Marie-Josée Roy 
Mixed media on aluminum
Engraving Electric: Jérôme Prieur Artist
asylum-art:

Marie-Josée Roy 
Mixed media on aluminum
Engraving Electric: Jérôme Prieur Artist
asylum-art:

Marie-Josée Roy 
Mixed media on aluminum
Engraving Electric: Jérôme Prieur Artist
asylum-art:

Marie-Josée Roy 
Mixed media on aluminum
Engraving Electric: Jérôme Prieur Artist
asylum-art:

Marie-Josée Roy 
Mixed media on aluminum
Engraving Electric: Jérôme Prieur Artist
asylum-art:

Marie-Josée Roy 
Mixed media on aluminum
Engraving Electric: Jérôme Prieur Artist
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asylum-art:

Yovcho Gorchev Photography-(nsfw)
Yovcho Gorchev aka Yø Vø is a photographer based out of London, UK and a graduate of Royal College of Art.
asylum-art:

Yovcho Gorchev Photography-(nsfw)
Yovcho Gorchev aka Yø Vø is a photographer based out of London, UK and a graduate of Royal College of Art.
asylum-art:

Yovcho Gorchev Photography-(nsfw)
Yovcho Gorchev aka Yø Vø is a photographer based out of London, UK and a graduate of Royal College of Art.
asylum-art:

Yovcho Gorchev Photography-(nsfw)
Yovcho Gorchev aka Yø Vø is a photographer based out of London, UK and a graduate of Royal College of Art.
asylum-art:

Yovcho Gorchev Photography-(nsfw)
Yovcho Gorchev aka Yø Vø is a photographer based out of London, UK and a graduate of Royal College of Art.
asylum-art:

Yovcho Gorchev Photography-(nsfw)
Yovcho Gorchev aka Yø Vø is a photographer based out of London, UK and a graduate of Royal College of Art.
asylum-art:

Yovcho Gorchev Photography-(nsfw)
Yovcho Gorchev aka Yø Vø is a photographer based out of London, UK and a graduate of Royal College of Art.
asylum-art:

Yovcho Gorchev Photography-(nsfw)
Yovcho Gorchev aka Yø Vø is a photographer based out of London, UK and a graduate of Royal College of Art.
asylum-art:

Yovcho Gorchev Photography-(nsfw)
Yovcho Gorchev aka Yø Vø is a photographer based out of London, UK and a graduate of Royal College of Art.
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asylum-art:

Wayne Quilliam: Photography in context of Indigenous Australian culture
Series of Aboriginal artist Wayne Quilliam “Lowanna” (beautiful woman) transforms the concept of the body and the earth studying the psychological implications of the human habitat. Wayne’s work is rooted in sensitivity. He speaks of the connection and isolation, loss and discovery and tragic irony poorly designed
Wayne Quilliam is considered one of Australia’s most prominent Aboriginal photographic artists working on the global stage with more than 130 solo and group exhibitions in Australia, Europe, Asia and the USA. He has been awarded what is considered one of the most prestigious Australian art accolades, the 2009 NAIDOC (National Aboriginal and Islander Day Observance Committee) Artist of the Year. In 2008 he won the Human Rights Award for his work on the Apology with the Koori Mail and was a finalist in the prestigious Walkley Awards for a social documentary on the block in Redfern, Sydney. Starting from 10th January 2010 the art place berlin in the Park Inn Berlin-Alexanderplatz will present the large-sized photographies of the Lowanna series. The works will be shown in the context of paintings by protagonists of Australia’s indigenous art, among others Kudditji Kngwarreye and Jeannie Long Petyarre.
asylum-art:

Wayne Quilliam: Photography in context of Indigenous Australian culture
Series of Aboriginal artist Wayne Quilliam “Lowanna” (beautiful woman) transforms the concept of the body and the earth studying the psychological implications of the human habitat. Wayne’s work is rooted in sensitivity. He speaks of the connection and isolation, loss and discovery and tragic irony poorly designed
Wayne Quilliam is considered one of Australia’s most prominent Aboriginal photographic artists working on the global stage with more than 130 solo and group exhibitions in Australia, Europe, Asia and the USA. He has been awarded what is considered one of the most prestigious Australian art accolades, the 2009 NAIDOC (National Aboriginal and Islander Day Observance Committee) Artist of the Year. In 2008 he won the Human Rights Award for his work on the Apology with the Koori Mail and was a finalist in the prestigious Walkley Awards for a social documentary on the block in Redfern, Sydney. Starting from 10th January 2010 the art place berlin in the Park Inn Berlin-Alexanderplatz will present the large-sized photographies of the Lowanna series. The works will be shown in the context of paintings by protagonists of Australia’s indigenous art, among others Kudditji Kngwarreye and Jeannie Long Petyarre.
asylum-art:

Wayne Quilliam: Photography in context of Indigenous Australian culture
Series of Aboriginal artist Wayne Quilliam “Lowanna” (beautiful woman) transforms the concept of the body and the earth studying the psychological implications of the human habitat. Wayne’s work is rooted in sensitivity. He speaks of the connection and isolation, loss and discovery and tragic irony poorly designed
Wayne Quilliam is considered one of Australia’s most prominent Aboriginal photographic artists working on the global stage with more than 130 solo and group exhibitions in Australia, Europe, Asia and the USA. He has been awarded what is considered one of the most prestigious Australian art accolades, the 2009 NAIDOC (National Aboriginal and Islander Day Observance Committee) Artist of the Year. In 2008 he won the Human Rights Award for his work on the Apology with the Koori Mail and was a finalist in the prestigious Walkley Awards for a social documentary on the block in Redfern, Sydney. Starting from 10th January 2010 the art place berlin in the Park Inn Berlin-Alexanderplatz will present the large-sized photographies of the Lowanna series. The works will be shown in the context of paintings by protagonists of Australia’s indigenous art, among others Kudditji Kngwarreye and Jeannie Long Petyarre.
asylum-art:

Wayne Quilliam: Photography in context of Indigenous Australian culture
Series of Aboriginal artist Wayne Quilliam “Lowanna” (beautiful woman) transforms the concept of the body and the earth studying the psychological implications of the human habitat. Wayne’s work is rooted in sensitivity. He speaks of the connection and isolation, loss and discovery and tragic irony poorly designed
Wayne Quilliam is considered one of Australia’s most prominent Aboriginal photographic artists working on the global stage with more than 130 solo and group exhibitions in Australia, Europe, Asia and the USA. He has been awarded what is considered one of the most prestigious Australian art accolades, the 2009 NAIDOC (National Aboriginal and Islander Day Observance Committee) Artist of the Year. In 2008 he won the Human Rights Award for his work on the Apology with the Koori Mail and was a finalist in the prestigious Walkley Awards for a social documentary on the block in Redfern, Sydney. Starting from 10th January 2010 the art place berlin in the Park Inn Berlin-Alexanderplatz will present the large-sized photographies of the Lowanna series. The works will be shown in the context of paintings by protagonists of Australia’s indigenous art, among others Kudditji Kngwarreye and Jeannie Long Petyarre.
asylum-art:

Wayne Quilliam: Photography in context of Indigenous Australian culture
Series of Aboriginal artist Wayne Quilliam “Lowanna” (beautiful woman) transforms the concept of the body and the earth studying the psychological implications of the human habitat. Wayne’s work is rooted in sensitivity. He speaks of the connection and isolation, loss and discovery and tragic irony poorly designed
Wayne Quilliam is considered one of Australia’s most prominent Aboriginal photographic artists working on the global stage with more than 130 solo and group exhibitions in Australia, Europe, Asia and the USA. He has been awarded what is considered one of the most prestigious Australian art accolades, the 2009 NAIDOC (National Aboriginal and Islander Day Observance Committee) Artist of the Year. In 2008 he won the Human Rights Award for his work on the Apology with the Koori Mail and was a finalist in the prestigious Walkley Awards for a social documentary on the block in Redfern, Sydney. Starting from 10th January 2010 the art place berlin in the Park Inn Berlin-Alexanderplatz will present the large-sized photographies of the Lowanna series. The works will be shown in the context of paintings by protagonists of Australia’s indigenous art, among others Kudditji Kngwarreye and Jeannie Long Petyarre.
asylum-art:

Wayne Quilliam: Photography in context of Indigenous Australian culture
Series of Aboriginal artist Wayne Quilliam “Lowanna” (beautiful woman) transforms the concept of the body and the earth studying the psychological implications of the human habitat. Wayne’s work is rooted in sensitivity. He speaks of the connection and isolation, loss and discovery and tragic irony poorly designed
Wayne Quilliam is considered one of Australia’s most prominent Aboriginal photographic artists working on the global stage with more than 130 solo and group exhibitions in Australia, Europe, Asia and the USA. He has been awarded what is considered one of the most prestigious Australian art accolades, the 2009 NAIDOC (National Aboriginal and Islander Day Observance Committee) Artist of the Year. In 2008 he won the Human Rights Award for his work on the Apology with the Koori Mail and was a finalist in the prestigious Walkley Awards for a social documentary on the block in Redfern, Sydney. Starting from 10th January 2010 the art place berlin in the Park Inn Berlin-Alexanderplatz will present the large-sized photographies of the Lowanna series. The works will be shown in the context of paintings by protagonists of Australia’s indigenous art, among others Kudditji Kngwarreye and Jeannie Long Petyarre.
asylum-art:

Wayne Quilliam: Photography in context of Indigenous Australian culture
Series of Aboriginal artist Wayne Quilliam “Lowanna” (beautiful woman) transforms the concept of the body and the earth studying the psychological implications of the human habitat. Wayne’s work is rooted in sensitivity. He speaks of the connection and isolation, loss and discovery and tragic irony poorly designed
Wayne Quilliam is considered one of Australia’s most prominent Aboriginal photographic artists working on the global stage with more than 130 solo and group exhibitions in Australia, Europe, Asia and the USA. He has been awarded what is considered one of the most prestigious Australian art accolades, the 2009 NAIDOC (National Aboriginal and Islander Day Observance Committee) Artist of the Year. In 2008 he won the Human Rights Award for his work on the Apology with the Koori Mail and was a finalist in the prestigious Walkley Awards for a social documentary on the block in Redfern, Sydney. Starting from 10th January 2010 the art place berlin in the Park Inn Berlin-Alexanderplatz will present the large-sized photographies of the Lowanna series. The works will be shown in the context of paintings by protagonists of Australia’s indigenous art, among others Kudditji Kngwarreye and Jeannie Long Petyarre.
asylum-art:

Wayne Quilliam: Photography in context of Indigenous Australian culture
Series of Aboriginal artist Wayne Quilliam “Lowanna” (beautiful woman) transforms the concept of the body and the earth studying the psychological implications of the human habitat. Wayne’s work is rooted in sensitivity. He speaks of the connection and isolation, loss and discovery and tragic irony poorly designed
Wayne Quilliam is considered one of Australia’s most prominent Aboriginal photographic artists working on the global stage with more than 130 solo and group exhibitions in Australia, Europe, Asia and the USA. He has been awarded what is considered one of the most prestigious Australian art accolades, the 2009 NAIDOC (National Aboriginal and Islander Day Observance Committee) Artist of the Year. In 2008 he won the Human Rights Award for his work on the Apology with the Koori Mail and was a finalist in the prestigious Walkley Awards for a social documentary on the block in Redfern, Sydney. Starting from 10th January 2010 the art place berlin in the Park Inn Berlin-Alexanderplatz will present the large-sized photographies of the Lowanna series. The works will be shown in the context of paintings by protagonists of Australia’s indigenous art, among others Kudditji Kngwarreye and Jeannie Long Petyarre.
asylum-art:

Wayne Quilliam: Photography in context of Indigenous Australian culture
Series of Aboriginal artist Wayne Quilliam “Lowanna” (beautiful woman) transforms the concept of the body and the earth studying the psychological implications of the human habitat. Wayne’s work is rooted in sensitivity. He speaks of the connection and isolation, loss and discovery and tragic irony poorly designed
Wayne Quilliam is considered one of Australia’s most prominent Aboriginal photographic artists working on the global stage with more than 130 solo and group exhibitions in Australia, Europe, Asia and the USA. He has been awarded what is considered one of the most prestigious Australian art accolades, the 2009 NAIDOC (National Aboriginal and Islander Day Observance Committee) Artist of the Year. In 2008 he won the Human Rights Award for his work on the Apology with the Koori Mail and was a finalist in the prestigious Walkley Awards for a social documentary on the block in Redfern, Sydney. Starting from 10th January 2010 the art place berlin in the Park Inn Berlin-Alexanderplatz will present the large-sized photographies of the Lowanna series. The works will be shown in the context of paintings by protagonists of Australia’s indigenous art, among others Kudditji Kngwarreye and Jeannie Long Petyarre.
asylum-art:

Wayne Quilliam: Photography in context of Indigenous Australian culture
Series of Aboriginal artist Wayne Quilliam “Lowanna” (beautiful woman) transforms the concept of the body and the earth studying the psychological implications of the human habitat. Wayne’s work is rooted in sensitivity. He speaks of the connection and isolation, loss and discovery and tragic irony poorly designed
Wayne Quilliam is considered one of Australia’s most prominent Aboriginal photographic artists working on the global stage with more than 130 solo and group exhibitions in Australia, Europe, Asia and the USA. He has been awarded what is considered one of the most prestigious Australian art accolades, the 2009 NAIDOC (National Aboriginal and Islander Day Observance Committee) Artist of the Year. In 2008 he won the Human Rights Award for his work on the Apology with the Koori Mail and was a finalist in the prestigious Walkley Awards for a social documentary on the block in Redfern, Sydney. Starting from 10th January 2010 the art place berlin in the Park Inn Berlin-Alexanderplatz will present the large-sized photographies of the Lowanna series. The works will be shown in the context of paintings by protagonists of Australia’s indigenous art, among others Kudditji Kngwarreye and Jeannie Long Petyarre.
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asylum-art:


 Constantinos Chaidalis 
on Behance, artist on tumblrr

 
asylum-art:


 Constantinos Chaidalis 
on Behance, artist on tumblrr

 
asylum-art:


 Constantinos Chaidalis 
on Behance, artist on tumblrr

 
asylum-art:


 Constantinos Chaidalis 
on Behance, artist on tumblrr

 
asylum-art:


 Constantinos Chaidalis 
on Behance, artist on tumblrr

 
asylum-art:


 Constantinos Chaidalis 
on Behance, artist on tumblrr

 
asylum-art:


 Constantinos Chaidalis 
on Behance, artist on tumblrr

 
asylum-art:


 Constantinos Chaidalis 
on Behance, artist on tumblrr

 
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asylum-art:

Simen Johan Photography
Simen Johan born in Norway in 1973, who darkly explores the human proclivity towards fantasy and our attempts, knowing or otherwise, to alternate realities for ourselves. Merging traditional photographic techniques with digital methods, Johan creates each of his images from as many as one hundred negatives, having first constructed or discovered each element and photographed it on film. Across his body of work, the viewer is urged to ponder the relationship between the real and the artificial or imagined.
  via artsy.net
asylum-art:

Simen Johan Photography
Simen Johan born in Norway in 1973, who darkly explores the human proclivity towards fantasy and our attempts, knowing or otherwise, to alternate realities for ourselves. Merging traditional photographic techniques with digital methods, Johan creates each of his images from as many as one hundred negatives, having first constructed or discovered each element and photographed it on film. Across his body of work, the viewer is urged to ponder the relationship between the real and the artificial or imagined.
  via artsy.net
asylum-art:

Simen Johan Photography
Simen Johan born in Norway in 1973, who darkly explores the human proclivity towards fantasy and our attempts, knowing or otherwise, to alternate realities for ourselves. Merging traditional photographic techniques with digital methods, Johan creates each of his images from as many as one hundred negatives, having first constructed or discovered each element and photographed it on film. Across his body of work, the viewer is urged to ponder the relationship between the real and the artificial or imagined.
  via artsy.net
asylum-art:

Simen Johan Photography
Simen Johan born in Norway in 1973, who darkly explores the human proclivity towards fantasy and our attempts, knowing or otherwise, to alternate realities for ourselves. Merging traditional photographic techniques with digital methods, Johan creates each of his images from as many as one hundred negatives, having first constructed or discovered each element and photographed it on film. Across his body of work, the viewer is urged to ponder the relationship between the real and the artificial or imagined.
  via artsy.net
asylum-art:

Simen Johan Photography
Simen Johan born in Norway in 1973, who darkly explores the human proclivity towards fantasy and our attempts, knowing or otherwise, to alternate realities for ourselves. Merging traditional photographic techniques with digital methods, Johan creates each of his images from as many as one hundred negatives, having first constructed or discovered each element and photographed it on film. Across his body of work, the viewer is urged to ponder the relationship between the real and the artificial or imagined.
  via artsy.net
asylum-art:

Simen Johan Photography
Simen Johan born in Norway in 1973, who darkly explores the human proclivity towards fantasy and our attempts, knowing or otherwise, to alternate realities for ourselves. Merging traditional photographic techniques with digital methods, Johan creates each of his images from as many as one hundred negatives, having first constructed or discovered each element and photographed it on film. Across his body of work, the viewer is urged to ponder the relationship between the real and the artificial or imagined.
  via artsy.net
asylum-art:

Simen Johan Photography
Simen Johan born in Norway in 1973, who darkly explores the human proclivity towards fantasy and our attempts, knowing or otherwise, to alternate realities for ourselves. Merging traditional photographic techniques with digital methods, Johan creates each of his images from as many as one hundred negatives, having first constructed or discovered each element and photographed it on film. Across his body of work, the viewer is urged to ponder the relationship between the real and the artificial or imagined.
  via artsy.net
asylum-art:

Simen Johan Photography
Simen Johan born in Norway in 1973, who darkly explores the human proclivity towards fantasy and our attempts, knowing or otherwise, to alternate realities for ourselves. Merging traditional photographic techniques with digital methods, Johan creates each of his images from as many as one hundred negatives, having first constructed or discovered each element and photographed it on film. Across his body of work, the viewer is urged to ponder the relationship between the real and the artificial or imagined.
  via artsy.net
asylum-art:

Simen Johan Photography
Simen Johan born in Norway in 1973, who darkly explores the human proclivity towards fantasy and our attempts, knowing or otherwise, to alternate realities for ourselves. Merging traditional photographic techniques with digital methods, Johan creates each of his images from as many as one hundred negatives, having first constructed or discovered each element and photographed it on film. Across his body of work, the viewer is urged to ponder the relationship between the real and the artificial or imagined.
  via artsy.net
asylum-art:

Simen Johan Photography
Simen Johan born in Norway in 1973, who darkly explores the human proclivity towards fantasy and our attempts, knowing or otherwise, to alternate realities for ourselves. Merging traditional photographic techniques with digital methods, Johan creates each of his images from as many as one hundred negatives, having first constructed or discovered each element and photographed it on film. Across his body of work, the viewer is urged to ponder the relationship between the real and the artificial or imagined.
  via artsy.net
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I went to the Fruitmarket Gallery today to see the Jim Lambie exhibition. The striped floor was so amazing! Couldn’t stop thinking about the time and effort that would have gone into it. Very trippy, loved it!
I went to the Fruitmarket Gallery today to see the Jim Lambie exhibition. The striped floor was so amazing! Couldn’t stop thinking about the time and effort that would have gone into it. Very trippy, loved it!
I went to the Fruitmarket Gallery today to see the Jim Lambie exhibition. The striped floor was so amazing! Couldn’t stop thinking about the time and effort that would have gone into it. Very trippy, loved it!
I went to the Fruitmarket Gallery today to see the Jim Lambie exhibition. The striped floor was so amazing! Couldn’t stop thinking about the time and effort that would have gone into it. Very trippy, loved it!
I went to the Fruitmarket Gallery today to see the Jim Lambie exhibition. The striped floor was so amazing! Couldn’t stop thinking about the time and effort that would have gone into it. Very trippy, loved it!
I went to the Fruitmarket Gallery today to see the Jim Lambie exhibition. The striped floor was so amazing! Couldn’t stop thinking about the time and effort that would have gone into it. Very trippy, loved it!
I went to the Fruitmarket Gallery today to see the Jim Lambie exhibition. The striped floor was so amazing! Couldn’t stop thinking about the time and effort that would have gone into it. Very trippy, loved it!
I went to the Fruitmarket Gallery today to see the Jim Lambie exhibition. The striped floor was so amazing! Couldn’t stop thinking about the time and effort that would have gone into it. Very trippy, loved it!
I went to the Fruitmarket Gallery today to see the Jim Lambie exhibition. The striped floor was so amazing! Couldn’t stop thinking about the time and effort that would have gone into it. Very trippy, loved it!
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red-lipstick:

Jose Romussi aka Jose Ignacio Romussi (Italian/Flemish, b. Chile, 1979, resides Berlin, Germany)     Embroidery, Sewing Machine on Photo
red-lipstick:

Jose Romussi aka Jose Ignacio Romussi (Italian/Flemish, b. Chile, 1979, resides Berlin, Germany)     Embroidery, Sewing Machine on Photo
red-lipstick:

Jose Romussi aka Jose Ignacio Romussi (Italian/Flemish, b. Chile, 1979, resides Berlin, Germany)     Embroidery, Sewing Machine on Photo
red-lipstick:

Jose Romussi aka Jose Ignacio Romussi (Italian/Flemish, b. Chile, 1979, resides Berlin, Germany)     Embroidery, Sewing Machine on Photo
red-lipstick:

Jose Romussi aka Jose Ignacio Romussi (Italian/Flemish, b. Chile, 1979, resides Berlin, Germany)     Embroidery, Sewing Machine on Photo
red-lipstick:

Jose Romussi aka Jose Ignacio Romussi (Italian/Flemish, b. Chile, 1979, resides Berlin, Germany)     Embroidery, Sewing Machine on Photo